Aimee Gomez is a Cuban-American singer
blending Latin rhythms, electronic beats,
and pop melodies into a fresh, magnetic sound.
Her music bridges cultures and genres,
mixing reggaeton, synth-pop, and tropical vibes
with heartfelt lyrics and bold energy.
Aimee is part of a new wave redefining Latin pop
—rhythmic, emotional, and unmistakably her own.
CLICK ANYWHERE TO ACCESS
IN THE MIDDLE OF CHAOS OUR ONLY HOPE IS MUSIC
EVERYTHING NEW WE INTRODUCE TO THE WORLD WILL INCREASE THE INEVITABLE CHAOS THAT GUIDES THE PLANET. IT’S A VERY DELICATE TOPICS AND CREATORS HAVE THE RESPONSIBILITY TO REDUCE THE BAD INPACT OF WHAT THEY GIVE BIRTH TO. THAT’S WHY THE ONLY SOLUTION IS BEAUTY.TO CREATE SOMETHING THAT PLEASES THE EYE INSTEAD OF ADDING TO THE CONFUSION.
Q&A
WITH
AIMEE
What’s something you’ve had to unlearn as an artist to grow creatively or professionally?
Honestly, I learned that I don’t have to do everything myself. My whole life I had been so accustomed to having full control of every aspect of my music. The production, the lyrics, arrangements, every intricate little detail. When I started working with more and more people in the industry, this became a weakness more than a strength. I struggled to open my mind to what others had to say because, how could someone know more about what my song needs than I do? I realized that there are always people who are better at certain things and that letting them help actually makes the music better….sometimes. I had to get more open to hearing others out, even if it meant changing something I thought was pretty solid. It’s uncomfortable, but it’s worth it.
What does success look like to you as an artist?
I feel the most accomplished or “successful” when I’m surrounded with passionate musicians that I can learn from. I’ve never thought about making money off of music. Success to me isn't wealth or fame. Honestly, I just want to make good songs that I’m proud of and that resonate with me and hopefully others around me, too. Success right now would be jam sessions everyday, everywhere, that might leave a positive impact.
How do you approach songwriting? Is it more emotion-driven, story-driven, or something else entirely? Do you write music more from personal experience, observation, or imagination?
Usually, I’m bad at confronting or talking about my experiences and emotions and that definitely translates to my songwriting because I find myself mostly writing about other people, what I see around me, or what I think others are going through. I observe a lot and imagine how it must feel. It’s cool, though, it helps me understand people better.
What’s the weirdest sound you’ve ever incorporated into a track/song?
There are a few. I would probably say my baby sisters laugh. I snuck it into a song I wrote about her.
Which three people, dead or alive, would you love to jam sesh with for a day?
Prince for sure, then I'd probably put louis Armstrong on trumpet and then maybe some classical composer like a Shubert or a Brahms.
What’s one instrument you wish you could magically master overnight?
Definitely the sax. Or like a pretty flute, I’ve always wanted to play a wind instrument, but it seems so difficult.
Aimee Gomez is a Cuban-American singer
blending Latin rhythms, electronic beats,
and pop melodies into a fresh,
magnetic sound.
Her music bridges cultures and genres,
mixing reggaeton, synth-pop, and
tropical vibes with heartfelt lyrics
and bold energy.
Aimee is part of a new wave redefining Latin pop—rhythmic, emotional,
and unmistakably her own.
Aimee Gomez is a Cuban-American singer
blending Latin rhythms, electronic beats,
and pop melodies into a fresh,
magnetic sound.
Her music bridges cultures and genres,
mixing reggaeton, synth-pop, and
tropical vibes with heartfelt lyrics
and bold energy.
Aimee is part of a new wave redefining Latin pop—rhythmic, emotional,
and unmistakably her own.
CLICK ANYWHERE TO ACCESS
IN THE MIDDLE OF CHAOS OUR ONLY HOPE
IS MUSIC
EVERYTHING NEW WE INTRODUCE TO THE WORLD WILL INCREASE THE INEVITABLE CHAOS THAT GUIDES THE PLANET. IT’S A VERY DELICATE TOPICS AND CREATORS HAVE THE RESPONSIBILITY TO REDUCE THE BAD INPACT OF WHAT THEY GIVE BIRTH TO. THAT’S WHY THE ONLY SOLUTION IS BEAUTY.TO CREATE SOMETHING THAT PLEASES THE EYE INSTEAD OF ADDING TO THE CONFUSION.
FOTOS & PRESS
2024
LUNA LLENA Music Video
2024
MUSIC
2024
coming soon
2024
Q&A with Aimee
What’s something you’ve had to unlearn as an artist to grow creatively or professionally?
Honestly, I learned that I don’t have to do everything myself. My whole life I had been so accustomed to having full control of every aspect of my music. The production, the lyrics, arrangements, every intricate little detail. When I started working with more and more people in the industry, this became a weakness more than a strength. I struggled to open my mind to what others had to say because, how could someone know more about what my song needs than I do? I realized that there are always people who are better at certain things and that letting them help actually makes the music better….sometimes. I had to get more open to hearing others out, even if it meant changing something I thought was pretty solid. It’s uncomfortable, but it’s worth it.
What does success look like to you as an artist?
I feel the most accomplished or “successful” when I’m surrounded with passionate musicians that I can learn from. I’ve never thought about making money off of music. Success to me isn't wealth or fame. Honestly, I just want to make good songs that I’m proud of and that resonate with me and hopefully others around me, too. Success right now would be jam sessions every day, everywhere, that might leave a positive impact.
How do you approach songwriting? Is it more emotion-driven, story-driven, or something else entirely? Do you write music more from personal experience, observation, or imagination?
Usually, I’m bad at confronting or talking about my experiences and emotions, and that definitely translates to my songwriting because I find myself mostly writing about other people, what I see around me, or what I think others are going through. I observe a lot and imagine how it must feel. It’s cool though, it helps me understand people better.
What’s the weirdest sound you’ve ever incorporated into a track/song?
There are a few. I would probably say my baby sisters laugh. I snuck it into a song I wrote about her.
Which three people, dead or alive, would you love to jam sesh with for a day?
Prince, for sure. Then I'd probably put Louis Armstrong on trumpet, and maybe some classical composer like Schubert or Rahrms.
What’s one instrument you wish you could magically master overnight?
Definitely the sax. Or like a pretty flute, I’ve always wanted to play a wind instrument, it seems so difficult.